- Be offensively oriented
- Every time a foot moves you have a chance
- Get religious with the line conditions: on, down and ,across the line
- Point your foot in the direction of the throw
- Keep weight on the ball of the foot, knees slightly bent—cat like
- Keep posture upright (don’t get sucked into jigotai)
- Grip with little fingers-loose upper fingers
- Grip lapel at shoulder level
- Grip sleeve with wrist down and elbow in
- Turning causes two pulls- elbow up and elbow in
- Elbow in is locked to your ribs using the pecs and lats
- Eyes at the heart/chest
- Never block for defense, always counter with movement-- dance out
- Work with graduated resistance
- For sweeps and reaps: point the toe and flex from the knee-not upperleg
- At the intermediate stage work all ashiwaza from progressively smaller steps
- Hip throws are crack of the butt on the lead thigh (posture may distort to accomadate)
- Fulcrum of hip throw is the HIP
- Shoulder throws , fulcrum is shoulder—posture stays straight
- At the intermediate stage, work all big throws from all stepping conditions
- Hands stay light –dont hang weight on the grip
- Hands always support foot actions
- Stay in step (mostly)
- Work with continuous movement
- Throw on the move – dont stop the center to throw
- Work for kuzushi on the step
- In beginning stage-- lots of nagekomi (no resistance --trading throws)
- Intermediate to advanced stage –renraku waza -- esp. footsweep to control drill including allashiwaza on both sides
- Advanced and for competitors: stugeiko and renzoku (consistant consecuative attack against conditions of resistance within prescribed rules)
Want to discuss this blog post?
Come find me on Facebook at my Mokuren Dojo FB group
____________________
Patrick Parker
www.mokurendojo.com
No comments:
Post a Comment
Note: Only a member of this blog may post a comment.