- stepping - when you decide to pull the trigger on the evasion you lean your center of balance over your left leg, pick up your right leg, put your right foot back down somewhere over there, lean your center over your right leg, pick up your left leg, and put it back under you. You have moved out of the way (off the line of attack), but it took you 2-3 weight shifts to do it and you passed through the plane of the attack twice -once when you leaned left and once when you stepped right. Japanese teachers call this ayumiashi.
- dropping - This is a more favored technique for getting out of the way. here, without leaning your center of mass to the left, you pick up your right leg, your center starts falling to the right, then you put your right leg back down under your center and bring your left leg with you. Here your weight shifts are minimized and you only pass the plane of the attack once as you fall to the right. Japanese teachers call this tsugiashi.
- stepping over the hill - But, there is a situation where ayumiashi can actually be faster than tsugiashi. Suppose you are walking along and you just put your right foot down when they attack and you have to evade right then. Your right foot is stuck and it's hard to pick it up to drop to the right. So, you have no choice but to pick your left foot up and step forward and to the right, past your right foot to get off line.
Wednesday, March 17, 2010
3 ways to avoid a punch
Wednesday, January 06, 2010
Interactions: Ma-ai and the aiki brushoff
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After I started this more rigorous study of ma-ai, I started noticing the difference between really masterful karateka and merely competent karateka, is that the masters have an amazing, precise understanding of ma-ai. They absolutely know when they are within your reach and when they are not. Same with judo - y'all ought to watch Rhadi Ferguson's Morotegari DVD to see how a great understanding of ma-ai (among other things) made him a master of morotegari.
Wednesday, December 16, 2009
Get outta the way!
- The line of attack - If you wait until the moment the attacker commits to his attack, then draw a line between your center and his, this is called the line of attack. Getting off of the line of attack is the most important part of every technique. We can teach you all the intricate aikido moves in the world, but until you start getting out of the attacker's way, nothing will ever work right for you.
- The shoulder/hip test - Here's a test to see if tori is really getting off the line of attack. Uke, after the first step of your attack, when you have lunged through ma-ai, see if you can touch tori with your shoulder or your hip. If so, he's not out of your way. Keep practicing until there is no way uke can touch you with his hip or shoulder after your evasion.
- Evasion is vital for smaller aikidoka - This is important for everyone but it is vital for the smaller, weaker tori. You absolutely do not want to grapple with a larger person, and the first part of learning not to fight the big-guy's fight is to learn to get out of his way.
- Evasion is vital for larger aikidoka - It is also important for the larger, stronger tori if you are ever going to learn to do good aiki without having to fall back on your superior strength and mass.
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Patrick Parker is a Christian, husband, father, martial arts teacher, Program Director for a Cardiac Rehab, and a Ph.D. Contact: mokurendojo@gmail.com or phone 601.248.7282 木蓮
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Monday, July 13, 2009
Kuzushi in your spare time
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Patrick Parker, is a Christian, husband, father, judo and aikido teacher, Program Director for a Cardiac Rehab, and a Ph.D. Contact: mokurendojo@gmail.com or phone 601.248.7282
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Thursday, April 30, 2009
Evasion month recap
- Falling out of the way
- More on falling out of the way
- Walking over the hill
- When stepping is faster than falling
- Whether to fall or step over the hill
- Power and consistency in evasion
- The cowcatcher
- Push back from a fight - the aiki-brushoff
- Don't step back
- Don't step forward
- Smaller steps
- Don't neglect the inside condition
Patrick Parker, is a Christian, husband, father, judo and aikido teacher, Program Director for a Cardiac Rehab, and a Ph.D. Contact: mokurendojo@gmail.com or phone 601.248.7282
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Monday, April 27, 2009
Don't neglect the inside condition
Photo courtesy of KubinaPatrick Parker, is a Christian, husband, father, judo and aikido teacher, Program Director for a Cardiac Rehab, and a Ph.D. Contact: mokurendojo@gmail.com or phone 601.248.7282
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Sunday, April 26, 2009
Smaller, more conservative steps
Monday, April 20, 2009
Don't step forward
- Larger players don't like to move forward. They tend to hang back and pull because when they advance they are more easily loaded up on top of hip throws and shoulder throws.
- Smaller players don't like to move backward because they get overwhelmed by the advancing larger guy.
Sunday, April 19, 2009
Don't step back
- If you step straight back, you are not solving the problem. The attack is still coming at you, you are still directly on the line of attack, and now he has more momentum.
- the attacker can always move faster forward than you can move backward.
- Because of the shape of your feet and the position of your eyes, you are inherently less stable moving backward then forward.
- You can't see what you are about to trip over when you walk backward.
- Always evade offline first, before stepping back.
- I would recommend minimizing the number of backward steps that you take when brushing off of uke. 1-2 tends to be enough to get outside ma-ai. If you have to take a step backward to get out of ma-ai, that's okay, but watch out and don't build up a lot of momentum.
- When doing tenkan, try doing repeated sidesteps directly toward uke's center instead of walking backward around uke. This gets you closer to the center of rotation, gets you into shikaku (uke's blind spot) quicker and more efficiently, and is much more stable than walking backward around uke.
Sunday, April 12, 2009
Push back from a fight
Photo courtesy of Abolotnov- evade off the line of attack as he passes ma-ai.
- put your hands between you and him, as in the cowcatcher maneuver.
- use your hands to push yourself straight back away from the attacker. Push against whatever presents itself - arm, face, chest, shoulder, whatever. Take a step or two backward to re-establish ma-ai.
- If you can't get back away from the attacker then all your cool aikido techniques come into play, as sort of a bunch of backup plans for the aiki brushoff.
Patrick Parker, is a Christian, husband, father, judo and aikido teacher, Program Director for a Cardiac Rehab, and a Ph.D. Contact: mokurendojo@gmail.com or phone 601.248.7282
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Thursday, April 09, 2009
To fall or to step over the hill?
- your center is moving toward your non-weightbearing (free-moving) leg
- your center is moving toward your weightbearing (stuck) leg
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The cowcatcher
- close both hands into tegatana (a.k.a. shuto or spearhand) shapes so that you don't break you fingers against uke's arms.
- point your spear-hands together in front of your belt with unbendable arms
- as you evade out of the way, sweep both arms upward between uke's face and yours, both arms still unbendable
- it occupies the centerline that uke has to come through to hit you
- it tends to deflect any attacks coming at you
- it tends to leave tori's arms in contact with uke's arms, so that it is easier to grab in preparation for some technique
- it can clear some space for tori to walk around in
- having hands thrown in his face disrupts uke's attack and makes him hesitate
- get out 'da way
- do the cowcatcher motion
- now, do your cool jujitsu/karate move
Photo courtesy of PSD
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Wednesday, April 08, 2009
Power and consistency in evasion
Photo courtesy of Yelnoc.
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How is stepping faster than falling?
Tuesday, April 07, 2009
Walking over the hill
- standing on right foot, falling toward left foot
- standing on left foot, falling toward right foot
- your right foot just hit and is stuck, but your momentum is still carrying you toward your right
- your left foot just hit and is stuck, but your momentum is still carrying you toward your left
The first two conditions occupy most of the time in your walking cycle, and these are the conditions under which it is appropriate to fall out of the way. For instance, if you are attacked when you are standing on your right foot falling toward your left foot, then you just extend that left footstep and fall out of the way.
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Friday, April 03, 2009
Two more hints on falling out 'da way
- Fall all the way down - Get a crash pad or a mattress or something to that effect. Stand in shizentai with the crash pad beside you and practice collapsing the leg and just falling on your side on the crash pad. This is the first part of the falling evasion I was talking about in the previous post. Once you become comfortable with the falling part you can start catching yourself before you fall all the way and you'll be falling out of the way.
- March like a robot - When you get the feel of falling and start using that collapsed leg to catch you, try a few repetitions of picking the leg straight up and putting it straight back down under you like a piston. When you are ready to fall, instead of collapsing the leg and dragging the floor with it, snap the foot upward off the floor, then when you want to put it back down, snap it back down. After you get the feel for this falling evasion you can tone it down so that you are not walking like a robot, but try it a few times to get used to it.
Thursday, April 02, 2009
Falling out of the way
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So, how do you do it? Take wakiashi (sidestep) as an example:
- Starting in shizentai (natural upright posture) with your feet side-by-side and about hip-width apart or maybe a little closer.
- Turn off the muscles in the leg closest to the direction you want to go. You begin to collapse to that side.
- pick up the foot on the side toward which you are collapsing.
- When your hips or center have moved about as far as you want them to, put that foot back down (ball of foot first) right under your center and catch your fall.
- As your center starts to rise over the foot you just put down, draw your other leg back under your center so that you end in shizentai, just like you started.
Sunday, March 29, 2009
Get out 'da way!
Monday, March 09, 2009
The aiki-handshake
- Just before he reaches ma-ai, uke is very likely to change his tempo or his weight balance. He is planning a foot to stride through with and he has to get that foot positioned correctly when he is just outside ma-ai. Otherwise his stride-through will be wimpy. Look for that glitch in his footwork - it is a pretty reliable indicator something is wrong with the guy who is about to be at ma-ai (i.e. he is an attacker).
- Tori is unable to wait until exactly ma-ai to begin his evasion. Tori calculates which step will take him past ma-ai and begins the evasion with that last step.
- Make it a habit to shake hands whenever you have the opportunity. Do it firmly, with eye contact and genuine feeling. You will develop a good spatial sense and goodwill just by doing that.
- As you step in to grasp their hand, shift your feet slightly to the outside of the hand they are reaching for you with. As you clasp their hand, turn their palm slightly upward and use your free hand to touch or clasp their elbow or upper forearm. This is a natural, genuine handshake but it provides you some protection from their free hand and also reduces their leverage if they are the type to want to crush your hand.
- As the handshake dies out and you both release, use your contact on the elbow to gently and unobtrusively push yourself back outside ma-ai. Hold your conversation from here - outside ma-ai.
Tuesday, February 17, 2009
Fantastic karate-do taisabaki
Magnificient karate! Aiki guys, check this out and see doesn't this trip you out! One of my big problems with karate-do the way it is often taught these days is the emphasis on standing still and generating power. In such a training environment, taisabaki (footwork, body shifting, evasions) is often assumed or just plain missing. But this is superb. If I remember my karate history rightly, this batch of karate guys separated from the Shotokan guys, claiming to be practising the stuff the way that Funakoshi actually wanted it done. I'm sure that the other side has their story, but IMO, this is much closer to karate-do done right.
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