Friday, August 07, 2015

Why tanto in randori but not in practice?


We have been told often by our aikido instructors that Tomiki's aikido was particularly aimed at randori - that is, developing a way for aikidoka to pressure test their skills with a viable randori system.  And I do think that is characteristic of Tomiki's aikido... to a point.
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But go with me down this line of thought...
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Tomiki was out to come up with a way for aikido guys to do real randori - not taking turns being uke for each other, but both guys trying to apply aikido skills at the same time against a skilled player.  To make the game interesting and productive, Tomiki had to get the players to give each other real attacks because aikido guys when they don't want to be thrown by other aikido guys stop exerting and withdraw their energy. So he made uke's attacks count for points.
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But why did he put the foam knife into the mix?
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Why not leagalize punches, like in a karate contest? Aikido folks deal with punches.
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Why not a shinai, like in kendo? Aikido folks deal with swords.
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Why not a padded stave, like in the old-style European quarterstave matches still popular around Tomiki's time?  Aikido folks deal with jo staves.
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Heck, those pre-war aikido guys even played with bayonets like in jukendo - why not have randori matches against a guy armed with a juken?
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What is it about the tanto that of all the weapons that the old aikido guys played with - what made tanto particularly suitable for randori?
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And if tanto was so particularly suitable an instrument for the randori that would be central in Tomiki's aikido, why is the tanto not more prominent in the rest of our practice?
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What I mean is this - we learn all of our aikido empty handed against empty-handed ukes who are making empty-handed attacks.  Then at some point the tanto is thrown in almost as an afterthought - a little bit of knife evasion practice, some junana with a knife, and a pretty minimal nod to tanto skills in a couple of the Koryu no kata.
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If randori (with a knife) is supposed to be so central to our aikido, why don't we do all of our training from day-1 with knives? Ukemi with a knife, taiso (tandoku and sotai dosa) with a knife, junana and owaza and urawaza with a knife, suwari with a knife... Tanto Everything Aikido.

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True, there's nobody telling us we can't practice that way - but (almost) nobody does practice that way.
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Another sort of aside - I wonder what would happen in a tanto match if you gave both guys a foam knife and allowed both guys to score with the blade or with aikido techniques?  Or maybe a hybrid of tanto randori and hat randori where either guy could score with the knife, the hat, or aikido techniques??



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____________________
Patrick Parker
www.mokurendojo.com

Tuesday, August 04, 2015

The Old Man Paradox

Martial arts are intense body contact physical activities - for most folks.  But then you hear stories and occasionally meet nearly crippled old men who can barely move but still have seemingly magical ability.
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As young men, we don't want to do martial arts like old men - even though we do want to eventually have similar magic.
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As young men, we want to be vigorous and strong.  But the old men assure us that if we would reduce the intensity a bit, we would sustain less damage and stay young and capable longer.  These are the same crippled old men that used to be vigorous, intense hellions when they were young.
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Sometimes, you see old men who still exert like young men - geriatric supermen. But realistically, how many of us think we won the genetic jackpot that would allow us to be that vigorous that long?
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I guess the best plan for dealing with the Old Man Paradox is do the best you can for as long as you can and don't feel bad about choosing to practice with either intense power or with delicate finesse whether you are young or are old - and hope that you can still do both power and finesse when you are old.


Want to discuss this blog post?
Come find me on Facebook at my Mokuren Dojo FB group

____________________
Patrick Parker
www.mokurendojo.com
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